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	<updated>2012-02-11T16:56:45-06:00</updated>
	
			
				
					<entry>
						
							<title>Artist view of artist/label relationship</title>
							<id>http://www.rbr.com/radio/15282.html</id>
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							<published>2009-06-19T15:16:00-05:00</published>
							<updated>2009-06-19T15:16:00-05:00</updated>
							<author>
								<name>Dave Seyler</name>
							</author>
							<category term="tech" scheme="http://www.rbr.com/radio/15282.html" label="tech" ></category>
							<content type="html">Dave Stewart, co-founding member of iconic 80s group Eurhythmics, didnâ€™t have anything to say about performance royalties in a recent article he penned for Billboard and made available on his</content>
							
						
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									<entry>
										
											<title>Tony Coloff</title>
											<id>http://www.rbr.com/radio/15282.html</id>
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											<published>2009-06-22T16:46:08-05:00</published>
											<updated>2009-06-22T16:46:08-05:00</updated>
											<author>
												<name>Tony Coloff</name>
											</author>
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											<content type="html">While you are calculating, how about calculating how many artists are even  getting paid with composer fees? Radio pays huge amounts in composer fees.  My Music Director at my small market radio station, estimates that 70 to 80 per cent of the bands we play, compose and play THEIR OWN compositions.</content>
											
										
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